Yamaha SPX2000 Uživatelský manuál stáhnout pdf (Strana 2)

SPX2000 Effect Programs

No. EFFECT NAME CLASSIFICATION

LCD COLOR

1 REV-X LARGE HALL HALL CYAN

2 REV-X MED HALL

3 REV-X SMALL HALL

4 REV-X TINY HALL

5 REV-X WARM HALL

6 REV-X BRITE HALL

7 REV-X HUGE HALL

8 AMBIENCE

9 STEREO HALL

10 VOCAL CHAMBER

11 BRIGHT HALL

12 BREATHY REVERB

13 CONCERT HALL

14 REVERB FLANGE

15 REVERB STAGE

16 REV-X VOCAL PLT PLATE

17 REV-X BRIGHT PLT

18 REV-X SNARE PLT

19 VOCAL PLATE

20 ECHO ROOM 1

21 ECHO ROOM 2

22 PRESENCE REVERB

23 ARENA

24 THIN PLATE

25 OLD PLATE

26 DARK PLATE

27 REV-X CHAMBER ROOM

28 REV-X WOOD ROOM

29 REV-X WARM ROOM

30 REV-X LARGE ROOM

31 REV-X MED ROOM

32 REV-X SMALL ROOM

33 REV-X SLAP ROOM

34 FAT REFLECTIONS

35 BIG SNARE

36 BAMBOO ROOM

37 REFLECTIONS

38 STONE ROOM

39 CONCRETE ROOM

40 REVERSE PURPLE GATE REVERB

41 FULL METAL GATE

42 REVERSE GATE

43 DRUM MACH. AMB S DRUM MACHINE

44 DRUM MACH. AMB L REVERB

45 ELECT. SNR PLAT

46 MONO DELAY DELAYS WHITE

47 120 BPM MONO DDL

48 120 BPM X-DDL

49 STEREO DELAY

50 DELAY LCR

51 KARAOKE ECHO

52 GOOD OL P.CHANGE PITCH EFFECTS MAGENTA

53 VOCAL SHIFT

54 STEREO PITCH

55 PITCH SLAP

56 HALO COMB

57 GRUMPY FLUTTER

58 ROGER ON THE 12

59 BOTTOM WHACKER

60 VOICE DOUBLER

61 SYMPHONIC MODULATION

62 REV+SYMPHONIC

63 DETUNE CHORUS

64 CHORUS & REVERB

65 BASS CHORUS

66 STEREO PHASING

67 CLASSY GLASSY

Reverb and Early

Reflection

The SPX2000 has a wide variety of

uncompromising, superior reverb and spacial

ambience effects, including ER (early

reflection). These provide not only

exceptionally natural real-world ambience but

a stunning selection of other-worldly effects as

well.

The REV-X presets in particular—all 17 of

them—were redesigned completely from the

ground up, with new reverb algorithms. The

Hall presets (#1 - 7) provide various natural,

high-density reverb programs, while the Plate

programs (#16 - 18) give you a crisp, well-

defined sound—perfect for vocals. The seven

Room presets (#27 - 33) feature realistic

recreations of various environments, with fine

parameter control over room size, as well as a

variety of wall materials and sound-absorption

characteristics.

Delay and Echo

The Delay/Echo presets feature versatile,

high-quality delay effects—allowing you to tap

out a tempo for the delay time with the [TAP]

button or a footswitch, or synchronize the

SPX2000 to the tempo and note values from

an external MIDI device.

A full selection of delays is provided, with

mono, stereo, and a special stereo with center

channel (#50, Delay L, C, R) for creating

three-dimensional ambience. There’s also a

Stereo Phasing preset (#66) that allows you to

modulate the delay sound with a sine or

triangle wave for complex, unique delay effects.

The Classic bank also effers two popular

programs from the early SPX models: Delay L,

R and Stereo Echo.

Pitch Change

These programs give you sophisticated, high-

quality pitch shift effects at your fingertips,

updating the original SPX programs with

enhanced sound, greater musical control and

dynamic expressiveness. The new effects have

many functions such as mixing of the sounds,

feedback, and synchronizing to tempo. The

Classic bank includes Pitch effects from the

early SPX models, giving you MIDI note

control over the pitch change.

Modulation

A wide variety of modulation effects are

included on the SPX2000—for fattening the

sound, enhancing it, giving it animation and

depth, or completely transforming it.

Programs include Flanger, Phaser, Chorus,

Symphonic, Tremolo, Auto Pan, Ring

Modulation and Modulation Filter. The

Rotary Speaker program (#71) faithfully

recreates that rich rotating speaker sound for

organ and other instruments. Special

Dynamic Modulation programs, such as Dyna

Flange (#76) and Dyna Phaser (#77), let you

vary, respectively, the delay time and the

frequency of the effect sound with the

dynamics of your playing or MIDI velocity—

for even greater expressive control. Also

included are combination programs such as

#62 Reverb + Symphonic, gives you Yamaha’s

original multiple chorus effect with modulated

delay time, and a high-quality reverb. Preset

#64 Chorus + Reverb also lets you use both

chorus modulation and reverb simultaneously.

The Classic bank features the original

modulation programs of early SPX models.

Filter

These new programs include Dynamic Filter,

Multi Filter and Multi-band Dynamic

Processor. Program #78 Dyna Filter gives you

powerful control over the sound by allowing

you to vary the central frequency of the filter

with the signal itself or via MIDI velocity. The

Multi-band Dynamic Processor is also

exceptionally versatile, giving you independent

control over the dynamic range for three

separate frequency bands—each with an

expander/compressor/limiter—allowing you

to create extremely fat, full and rich sounds.

Distortion

The SPX2000 also has your distortion bases

covered, with an Amp Simulator effect (#83)

for recreating vintage guitar amps, and a

special new Distortion program (#82)

featuring five different distortion

characteristics

(DST1/DST2/OVD1/OVD2/CRUNCH),

a noise gate, and comprehensive control over

the tone. The SPX2000 also has combination

effect programs, #84 Distortion 씮 Flanger

and #85 Distortion 씮 Delay, letting you

combine distortion with modulation or delay

effects for an even wider sonic palette.

COMBINATION

EFFECTS

A variety of multi effect programs give you

even greater signal processing flexibility and

creativity, putting reverb and modulation

together, or combining delay with ambience.

These combination effects are provided in two

different types, one routing the signal in

parallel (for example, #94 Delay + Reverb),

the other using serial processing of the signal

(for example, #95 Delay 씮 Reverb).

Freeze

The Freeze effect turns the SPX2000 into a

phrase sampler, ideal for looping parts during

live performance. Quality is exceptionally high

(96 kHz), even for long phrases up to nearly 3

seconds. The sampled audio can be played by

pressing a panel button or by using an external

MIDI trigger. You can even specify the

number of playback repeats, up to 100 and

shift the pitch of the sample (in semitones).

The Classic bank brings 2 programs from the

early SPX models. Preset #23 Freeze A lets

you set the start and end points, while #24

Freeze B allows you to finely change the

playback pitch of the sample in 1-cent units

(1/100 semitone).

PRESET BANK

Each and every one of these programs boasts

incredibly rich tone and a super-smooth,

grain-free decay—giving you authentic

ambience for enhancing the original sound.

Moreover, various parameters provide detailed,

comprehensive control over the processed

sound.

• The SPX2000 also features: Stereo Reverb,

Gate Reverb and special Drum Machine

Reverb programs—refined and updated from

the SPX990.

• ER group effects especially for enhancing

drums, percussion and guitar, as well as

creating powerful, in-your-face sounds. These

include #34 Fat Reflections, #41 Full Metal

Gate (a dynamic gated reverb program), and

#42 Reverse Gate.

• The Classic bank offers 4 basic reverbs—

Hall, Room, Vocal and Plate, as well as the

early reflection, gate reverb and reverse gate

programs from the early SPX models.

PARAMETER Range Description

BASIC REV TIME 0.10~46.92s Determines the amount of time until the reverberation decays

PARAMETER to silence.

HI.RATIO 0.1~1.0 Determines the reverberation length (release time) for the high

LO.RATIO 0.1~1.4

and low frequency sounds. This is used to simulate the

damping factor of walls and ceiling.

INI.DLY 0.0~125.0ms Determines the time that elapses between the original sound

and the reverberation.

DIFF. 0~10 Determines the density and separation of the reverberation.

ROOMSIZE 0~28

Determines the virtual ‘size’ of the room, and affects the reverb time.

FINE MIX BAL. 0~100% Determines the level balance of the original (dry) sound and

PARAMETER the processed (wet) sound.

OUT LVL 0~100% Determines the overall level of the mixed original and

processed sound.

HPF Thru, 22.0Hz~8.00kHz Cuts the low frequencies of the processed sound.

LPF 1.00~18.0kHz, Thru Cuts the high frequencies of the processed sound.

LO.FREQ. 22.0Hz~18.0kHz Basic frequency for the LO.RATIO parameter.

DECAY 0~53 Determines the shape of the reverberation envelope.

This affects the ‘color’ of the reverberation.

REV-X PARAMETER LIST

Rear Panel

PROFESSIONAL MULTI-EFFECT PROCESSOR

SPX2000 Block Diagram Dimensions

unit: mm

68 SILKY SWEEP

69 UP DOWN FLANGE

70 TREMOLO

71 ROTARY SPEAKER

72 AUTO PAN

73 PHASER

74 RING MODULATION

75 MOD FILTER

76 DYNA FLANGE

77 DYNA PHASER

78 DYNA FILTER FILTER YELLOW

79 M. BAND DYNA

80 MULTI FILTER

81 FILTERED VOICE

82 DISTORTION DISTORTION

83 AMP SIMULATOR

84 DIST씮FLANGE

85 DIST씮DELAY

86 REV씮CHORUS COMBINATION

87 REV+FLANGE

88 REV씮SYMPHONIC

89 REV씮PAN

90 DELAY+ER 1

91 DELAY+ER 2

92 DELAY씮ER 1

93 DELAY씮ER 2

94 DELAY+REV

95 DELAY씮REV

96 RESO DRONE

97 FREEZE SAMPLING

CLASSIC BANK

No. EFFECT NAME LCD COLOR

1 REV1 HALL GREEN

2 REV2 ROOM

3 REV3 VOCAL

4 REV4 PLATE

5 EARLY REF1

6 EARLY REF2

7 DELAY LR

8 STEREO ECHO

9 STEREO FLANGE A

10 STEREO FLANGE B

11 CHORUS A

12 CHORUS B

13 STEREO PHASING

14 TREMOLO

15 SYMPHONIC

16 GATE REVERB

17 REVERSE GATE

18 REVERB & GATE

19 PITCH CHANGE A

20 PITCH CHANGE B

21 PITCH CHANGE C

22 PITCH CHANGE D

23 FREEZE A

24 FREEZE B

25 PAN

5 Color LCD

Preset Assignment

CYAN

REVERB & ER

WHITE

DELAY & ECHO

MAGENTA

PITCH CHANGE

& MODULATION

YELLOW

FILTER,

DISTORTION,

MULTIPLE & FREEZE

GREEN

CLASSIC BANK

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