Yamaha Mobile Uživatelský manuál stáhnout pdf (Strana 6)

Here are some examples from the new Performance set.

011 tiGhtroPe walker

PART 1 = DRUM VOICE WITH ARPEGGIO

The Voice is played over the full range of the keyboard,

but the Arpeggio is triggered only below C3. Since

the Arpeggio Part is set to HOLD, the drum groove is

played continuously, even if you release the keys

PART 2 = BASS VOICE WITH ARPEGGIO

The Arpeggio produces a swelling bass on the offbeat

("Pumping Offbass"). The bass Part is also assigned

to the range below C3. In contrast to the drum Part

the Arpeggiator is set to "sync-off". So although a

continuous synchronisation is conducted, the bass is

not played when you release the keys

PART 3 = SYNTH PAD WITH ARPEGGIO

The Arpeggio produces a swelling pad sound on the

Offbeat ("Pumping Pad"). This Part is assigned to the

range above C3

PART 4 = SEQUENCER VOICE MIT ARPEGGIO

This complex synth arpeggio sound is modulated by

an LFO. This Part is also assigned to the range

above C3

This brief analysis of the Performance results in an easily

manageable structure:

Drums and bass on the left, pad and sequence on the

right, all controlled by the Arpeggiator. Since the bass

always remains on the root note, you only have to play a

single note in the desired pitch with your left hand.

With your right hand, everything is possible – chords,

polyphonic playing, or just simple monophonic lines.

FUNDAMENTAL HINT:

START SYNCHRONOUS!

This hint not only applies to this example, but for all

Performances with Arpeggio Parts in several keyboard

zones: Always start your keyboard playing in sync or on the

beat in both the right and left zone!

It may sound very strange if the keyboard Arpeggios of

both zones are not synchronised.

If Arpeggios of different Parts are place within the same

key range, nothing bad can happen as long as the

Arpeggio settings "Hold" or "Sync off" were chosen.

If however, as in this example, Arpeggios are used in two

keyboard zones, those Arpeggios diverge if they were not

started with the correct timing.

That will not happen if you start the Arpeggiator in sync

for all Parts by starting to play in the two zones at exactly

the same time.

But if you, for example, start with the drums and bass first

and later add the right synth Parts, you should start them

at the beginning of a bar, exactly on the 1, so that all

Arpeggios run synchronously.

So after a break, or after having modified the Performance,

it is always advisable to briefly turn the Arpeggiator off and

on again before you proceed to play. This is especially true if

edits have been made in connection with the Arpeggiator.

MUSIC PRODUCTION GUIDE 08|2014

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