Yamaha n8 Uživatelský manuál stáhnout pdf

Studios that Act Analog

but Think Digital

This document is printed on

chlorine-free (ECF) paper with soy ink.

For details please contact:

• 12 input channels:

8 discrete class-A microphone preamps, 2 stereo line inputs.

• 16 in / 16 out through FireWire

audio interface.

• 5.1 surround monitoring capability.

• 8 input channels:

4 discrete class-A microphone preamps, 2 stereo line inputs.

• 12 in / 12 out FireWire audio interface.

CUBASE 4 - Advanced Music Production System

CUBASE 4 represents the cutting edge in digital audio workstations. Designed for professionals from the ground up, CUBASE converges

extraordinary sound quality, intuitive handling and a vast range of highly advanced audio and MIDI tools for composition, recording,

editing and mixing.

• State-of-the-art Audio + MIDI Recording/Editing/Mixing

• Complete new set of VST3 virtual instruments and effects

• Real multi-channel 5.1 surround sound

• SoundFrame™ - Universal Sound Manager

•

Control Room integration within your outboard studio environment

• Seamless integration of external audio and MIDI hardware

• Pristine 32-bit floating point audio engine

• Professional music notation and score printing

• Cross-Platform: Windows and Mac OS X Universal Binary

●n8/n12

OS : XP Professional/XP Home Edition SP2

Computer : Intel Core or Pentium or Celeron family processor,

1.4 GHz or better with an S400 (400Mbps) IEEE1394 (FireWire) or

i.Link terminal.

Available Memory : 512 MB or more

Hard Disk : Free disk space of 100 MB or more; high-speed hard disk

* Windows Vista to be supported soon.

●CUBASE AI4

OS : XP Professional/XP Home Edition

Computer : Intel Pentium 1.4 GHz or more

Available Memory : 512 MB

Display Resolution : 1024 x 768 pixel

Audio Interface : Windows DirectX compatible

Hard Disk : Free disk space of 400 MB or more; high-speed hard disk

Others : DVD-ROM drive required for installation

Internet connection required for license activation

* For more details and the latest information, Please see http://www.yamahasynth.com

●n8/n12

OS : Mac OS X 10.4 or higher

Computer : Power Mac G4 1 GHz or Core Solo 1.5 GHz or better with an S400

(400Mbps) FireWire.

Available Memory : 512 MB or more

Hard Disk : Free disk space of 100 MB or more; highspeed hard disk

* Macintosh Driver will be available in summer 2007.

●CUBASE AI4

OS : Mac OS X 10.4 or higher

Computer : Power Mac G4 1 GHz or Core Solo 1.5 GHz or better

Available Memory : 512 MB or more

Hard Disk : Free disk space of 400 MB or more; highspeed hard disk

Display Resolution : 1024 x 768 pixel

Audio Interface : Core Audio compatible

Others : DVD-ROM drive required for installation

Internet connection required for license activation

System Requirements

*The system requirements below are necessary for using the n8/n12 by connecting it to a computer, or for using the included DAW.

Windows

Macintosh

Built-in “Feel-good Factor”

This elusive but essential ingredient can mean the difference between recording a memo or a masterpiece. It’s not just you, or the gear you use, but a synergetic

connection between the two. The Yamaha n-series Digital Mixing Studios have been created primarily to make that connection easier to achieve. Obviously the

equipment won’t make the music for you, but bad sound and/or complicated procedures will certainly dampen your inspiration and enthusiasm. That’s why the

n8 and n12 have been designed from the ground up to make recording and mixing a creative joy rather than a technical hassle. You’ll sound good, and you’ll be

able to create the moods and textures you’re after with minimum effort … in short, you’ll feel great about the whole process so your talent can really shine.

Inspiration can be unreliable, but when it strikes the Yamaha n-series Digital Mixing Studios let you capture it in all its creative glory.

Surround Monitoring and Bass Management (n12)

The n12 features three pairs of speaker outputs that can be used

for full 5.1 surround monitoring: front left and right, center and

subwoofer, and rear left and right. If you don’t need surround

capability the outputs can simply be used to switch between

different stereo pairs for comparison. When the 5.1 mode is

selected all three output pairs are active, with the speaker

selectors functioning as temporary mute switches. Bass

management is also implemented for optimum matching

between the full-range speakers and subwoofer. A down mix

switch that lets you instantly collapse the 5.1 outputs to stereo.

YAMAHA Website

Download

IEEE1394

(FireWire)

Computer n12/n8

Sweer Spot

Morphing

Compressor

Sweet Spot

data Library

Take a good look at the n8 and n12: nothing confusing here, just the familiar layout and

look of an analog console. Input controls, EQ, sends, faders, monitor controls, meters …

all just where you’d expect them to be. So why are they called “Digital Mixing

Studios?” Because behind the comfortable, intuitive interface lies an

extraordinarily powerful digital mixer and production center that works

seamlessly with an advanced version of Steinberg’s CUBASE

DAW running on your Macintosh or Windows PC.

The n-series Digital Mixing Studios are elegantly optimized

combinations of hardware and software that set up easily and let

you get right down to making music with maximum quality and control,

and with minimum interference from “technology.”

Sweet Spot

Data

Manager

Special Contents

Sweet Spot Data Library

Sweet Spot Data Library By famous musicians,

producers and engineers. Download from

http://www.yamahasynth.com/products/n8n12/ssdl/

100–120˚ 100–120˚

30˚ 30˚

Printed in Japan

LCK-0702

http://www.yamahasynth.com

* FireWire and the Firewire symbol are trademarks of Apple Computer, Inc.,registered in the U.S. and other countries. The FireWire logo is a trademark of Apple Computer, Inc.

* System requirements and specifications are subject to change without notice.

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Shrnutí obsahu

Strany 1 - Studios that Act Analog

Studios that Act Analog but Think DigitalThis document is printed onchlorine-free (ECF) paper with soy ink.For details please contact:• 12 input chann

Strany 2 - Main Features

Software IntegrationRecording Processing Monitoring OperationAnalog Feel, Digital Power Under the HoodThere’s no doubt that digital audio is here to s

Strany 3 - General Specifications

n12/n8 SpecificationsElectrical SpecificationsSample RateInternal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHzExternal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz (±0.1

Strany 4 - TO STEREO

ANALOG INPUTMONO INPUTST OUT LST OUT RAUX OUT RAUX PHONESC-R OUTC-R PHONESA - L/ [5.1] LA - L/ [5.1] RB - L/ [5.1] CB - R/ [5.1] SWAUX OUT LDIRECT OUT