P.O. BOX1, Hamamatsu Japanwww.yamahaproaudio.comPrinted in Japan*Specifications and appearance are subject to change without notice.*All trademarks an
348(13 3/4˝)146(5 3/4˝)143(5 5/8˝)495(19 1/2˝)478(18 7/8˝ )447(17 5/8˝)146(5 3/4˝)143(5 5/8˝)495(19 1/2˝)478(18 7/8˝ )Metal ChassisMGP EditorLeveler♪♪
348(13 3/4˝)146(5 3/4˝)143(5 5/8˝)495(19 1/2˝)478(18 7/8˝ )447(17 5/8˝)146(5 3/4˝)143(5 5/8˝)495(19 1/2˝)478(18 7/8˝ )Metal ChassisMGP EditorLeveler♪♪
Whether you have a mixing application that involves only a few channels, or up to 32 inputs with a need for flexible signal routing, Yamaha’s MG Serie
Whether you have a mixing application that involves only a few channels, or up to 32 inputs with a need for flexible signal routing, Yamaha’s MG Serie
˝2(1/8˝)300(11 3/4˝)256.6(10 1/8˝ )62.2(2 1/2˝ )55.2(2˝)433.9(17 1/8˝)2(1/8˝)346.2(13 5/8˝ )86.1(3 3/8˝ )79.6(3 1/8˝ )MG82CX / MG102CDimensionsMG124CX
˝2(1/8˝)300(11 3/4˝)256.6(10 1/8˝ )62.2(2 1/2˝ )55.2(2˝)433.9(17 1/8˝)2(1/8˝)346.2(13 5/8˝ )86.1(3 3/8˝ )79.6(3 1/8˝ )MG82CX / MG102CDimensionsMG124CX
478(18 7/8˝ )104(4 1/8˝ )5(1/4˝ )97(3 7/8˝)496(19 1/2˝ )MG166CX / MG166C / MG166CX-USB / MG166C-USBMG206C / MG206C-USBDimensionsMG166CX16 channels, 6
478(18 7/8˝ )104(4 1/8˝ )5(1/4˝ )97(3 7/8˝)496(19 1/2˝ )MG166CX / MG166C / MG166CX-USB / MG166C-USBMG206C / MG206C-USBDimensionsMG166CX16 channels, 6
MG24/14 FXSerious Capacity for Live Sound & InstallationsMG32/14 FXDimensionsMG24/14FX MG32/14FX48415551140101 98.555781948415551140101 98.5765102
MG24/14 FXSerious Capacity for Live Sound & InstallationsMG32/14 FXDimensionsMG24/14FX MG32/14FX48415551140101 98.555781948415551140101 98.5765102
Digital Heart. Analog Soul.It has been 40 years since the release of Yamaha's first professional analog mixingconsole in 1972, the PM200. This ye
General SpecificationsSpecifications and appearance suject to change without notice.All trademarks and registered trademarks are property of their resp
General SpecificationsSpecifications and appearance suject to change without notice.All trademarks and registered trademarks are property of their resp
MGP12X, MGP16XMG82CX, MG102CMG124C, MG124CXXLR-3-32 type*4Phone Jack*7Phone Jack*5XLR-3-32 type*4Phone Jack*7Phone Jack*7RCA Pin JackPhone Jack*5Stere
MGP12X, MGP16XMG82CX, MG102CMG124C, MG124CXXLR-3-32 type*4Phone Jack*7Phone Jack*5XLR-3-32 type*4Phone Jack*7Phone Jack*7RCA Pin JackPhone Jack*5Stere
MG124C, MG124CX Block and Level DiagramFX1-INFX2-INMIDLOWHIGH[0dBu]+48V+48VRE26dBPADHA+48V+48VREHAHPF100COMPCOMP(TH)LOWMIDHIGH3-Stage EQMID f[0dBu]GAI
MG124C, MG124CX Block and Level DiagramFX1-INFX2-INMIDLOWHIGH[0dBu]+48V+48VRE26dBPADHA+48V+48VREHAHPF100COMPCOMP(TH)LOWMIDHIGH3-Stage EQMID f[0dBu]GAI
MG206C, MG206C-USB Block and Level DiagramMG166C, MG166CX, MG166C-USB, MG166CX-USB Block and Level DiagramMG24/14FX, MG32/14FX Block and Level Diagram
MG206C, MG206C-USB Block and Level DiagramMG166C, MG166CX, MG166C-USB, MG166CX-USB Block and Level DiagramMG24/14FX, MG32/14FX Block and Level Diagram
P.O. BOX1, Hamamatsu Japanwww.yamahaproaudio.comPrinted in Japan*Specifications and appearance are subject to change without notice.*All trademarks an
Digital Heart. Analog Soul.It has been 40 years since the release of Yamaha's first professional analog mixingconsole in 1972, the PM200. This ye
UniversalPower SupplyEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circ
UniversalPower SupplyEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circ
Leveler♪♪♪♪Stereo ImagePriority DuckerDual Digital EffectsMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate e
Leveler♪♪♪♪Stereo ImagePriority DuckerDual Digital EffectsMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate e
In addition to the complete redesign of the internal circuitry—from the mic preamps to the power supply—we also took a new, more intuitive approach to
In addition to the complete redesign of the internal circuitry—from the mic preamps to the power supply—we also took a new, more intuitive approach to
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